A POP DOOR
Remember that everything here’s been hand-selected by me and that I love it all.
TIMBRE TO MY MOODS
If I sail unawares for too long, I’ll find myself in the realm of the spleen and not seeing my part in it.
THE PENTHOUSE
The spiral effect in this short-short from The New Yorker is excellent; a textbook example of a successful one-page* fiction.
THE LAST CARAVAGGIO
Well known narratives not as an idealised version, but as pointed articulations of looking at sedition, subversion, power, influence, control or authority.
THE ARTIST’S STRUGGLE FOR INTEGRITY
On the condition of being an artist and the reasons why an artist is compelled to live, and cannot settle.
MOTHERHOOD
Darker aspects of motherhood are real, and natural transgressions are not enough spoken about in this way.
HOSPITAL
Each mock-up here exists as its own re-enactment; very much in the realm of metaphor.
LEONORA CARRINGTON AT LAMB GALLERY
Handed down to timelessness are five most enchanting hats by Leonora Carrington, meticulously sketched in small brushstroke, with gouache on paper.
JUST US
Rankine wraps around subject-matter like charm work.
LA PASSION DE DODIN BOUFFANT
The assumed absence of music makes room for spectacular sound and sight, at every turn of a spoon, and turns many a sequence into its own stand-alone miniature climax.
THE BOY AND THE HERON
Curiosity furies at the core of the epic hand-drawn 2D feature by Hayao Miyasaki.
QUEER PHENOMENOLOGY
A very potent testament to our own agency in the myriad individual lived experience we incarnate in the world.
AUTOPORTRAIT AU ROITELET
Emily Dickinson turns her fears into splendour and is not afraid reflecting that she does not understand everything.
THE KING
A magnetic hero’s journey, addressing good governance, mentorship, selfhood, and male hegemony.
YOURSELF IN THE WORLD
Writing that feels akin to that of a genius art critic, as imperceptible nuances come into sharp focus and superbly astute, reliable inferences.
L’USAGE DU VIDE
With poetic sensitivity and impressive sagacity Romain Graziani debunks the enigma of hapless wilfulness, to beget an aesthetic to live by.
JE VERRAI TOUJOURS VOS VISAGES
A film about repair and the importance of relationship, where direct encounters bring about potentials for mending, and where every attempt is a leap.
QUEEN CHARLOTTE
Shonda Rhimes’ confident writing explores unerasing erasure in a world where anyone aware of the rules of play, stands a chance.
SILLAGE
Yet the sense of overwhelm did not quite dissipate till a canvas at the far end enticed her attention towards it.
YES AND NO
But because your inner life is not meagre, you hear an echo, and it is not yours.