Well known narratives not as an idealised version, but as pointed articulations of looking at sedition, subversion, power, influence, control or authority.

On the condition of being an artist and the reasons why an artist is compelled to live, and cannot settle.

Each mock-up here exists as its own re-enactment; very much in the realm of metaphor.

Writing that feels akin to that of a genius art critic, as imperceptible nuances come into sharp focus and superbly astute, reliable inferences.